Smash Episode Rating Graph

It's "Bombshell's" opening night. As Ivy's nerves get the better of her, support comes from an unlikely source. Meanwhile, Tom and Julia look to their next project. "Bombshell's" success may be in jeopardy as Eileen's issues with Richard come to a head. Jimmy finally opens up to Karen about his past, but is it too little too late?

It's a crucial moment for both shows as Tony nominations loom, but keeping your eye on the prize can be hard. As Tom crosses an influential Tony voter and Ivy copes with some very distracting news, Derek's past has repercussions for the entire "Hit List" team.

Tom takes legal measures to dissolve his partnership with Julia. Karen contemplates beginning a sexual relationship with Derek following her fall-out with Jimmy. But all comes to a screeching halt with the news of Kyle's death. The one person who isn't yet is Jimmy, who is no where to be found. Derek and Scott have to figure out what to do about this evening's show. Julia wants to do something special to remember Kyle which she hopes will be supported by the Broadway community despite Kyle not yet having done anything on Broadway.

In the pilot of Smash we are introduced to Tom Levitt and Julia Houstona song-writing duo who had planned on taking a break from the business of Broadway but, find themselves drawn back in when they get the desire to produce a musical based around the life of Marilyn Monroe. When a demo of one of the tracks goes viral the project attracts the eye and ear of tenacious producer Eileen Rand and, although causing a conflict that of director Derek Wills. But the biggest and most important task is to find their Marilyn after, auditioning a range of girls they whittle it down to two but, who do they go for. Ivy Lynn a veteran of the stage who wants to break away from the chorus line to get her break as a lead or Karen Cartwright a fresh talent who is trying to follow her dream of becoming a star.

Julia's fears increase when Tom airs his suspicions of Peter. Jimmy and Kyle confront their own crisis of confidence as "Hit List" is read for the first time. Meanwhile, Ivy realizes her triumph might not be all she hoped when she meets her new co-star, Terry Falls, and Karen wonders if she can trust Jimmy.

After Leigh Conroy joins the cast of "Bombshell," Tom finds himself struggling to diffuse the years of tension between her and Ivy. Jimmy and Karen's connection is threatened by both Ana's newfound success and an unexpected visitor. Derek learns more about Jimmy's past just as the public sees their first piece of "Hit List."

Back from a successful run in Boston, Eileen, Julia and Tom are blindsided by both personal and professional obstacles as they seek to take "Bombshell" to Broadway. Karen consults her new mentor, Broadway star Veronica "Ronnie" Moore, as she finds herself on the brink of fame, but her success may come at cost to Ivy. A new talent is discovered in an unexpected place. Meanwhile, Derek copes with a damaging accusation.

Derek and Karen reach a turning point, so one of them makes a tough decision. Meanwhile, problems emerge in Jerry and Eileen's partnership; complications arise at the "Hit List" debut at the Fringe Festival; and Ivy attempts to save her and Terry's show.

With his sights set on the Tony, Tom pulls out all the stops at a Houston & Levitt tribute night, but can Julia turn away from "Hit List" long enough to help? Ivy is afraid of damaging her reputation when Tom asks her to perform a risqué number. The cast of "Hit List" is rocked by a betrayal close to home.

Derek calls in help for a special event, but Jimmy's pride might get in the way of a huge opportunity Karen orchestrates for him and Kyle. Peter challenges Julia's pride as they continue to work together. Meanwhile, Ronnie struggles to assert her independence from a powerful mother, as Eileen finds herself at a moral crossroads with huge ramifications for "Bombshell."