Will's finished Romeo and Juliet but now there's competition over who will play Juliet.

The women in Will's life are not impressed with his play about a strong woman humiliated.

When Will's savings go missing, he is forced to make an unusual bargain with his rival. Kate's frustration with the lack of roles for women leads her to make a dramatic intervention.

Will's troupe plot against each other, but his defusing of the situation helps give him a better idea for his new play about Julius Caesar.

When his old teacher invites himself to stay, Will must confront some awful memories.

Episode one sees Will struggle to find inspiration for Romeo while having to deal with an angry actor, a very annoying house-guest and his family’s not terribly helpful script suggestions.

Will hopes to move up in the world when he is invited to a high-society party hosted by Lord Southampton, but is unsure what a poorly-educated country boy should wear to one of London's most upmarket events. The playwright's rival Sir Robert Greene offers him some fashion tips, but is it a double bluff, a triple bluff, or something even more fiendish?

Just when Will’s controversial new play is about to be presented to Queen Elizabeth, it goes missing. As the finger of suspicion points to his best friend Marlowe, can Will come up with a way to recover his stolen masterpiece? Given its politically sensitive content, is he really wise to want it back?

Will Shakespeare has invented an amazing new dramatic form: the greatest hits musical.

Will has completed his final sonnet and senses literary immortality just around the corner. But will the fair youth and the dark lady like them as much as he hopes? And is Anne likely to be impressed that her husband’s 154 hot new love poems don’t contain much about her?