With Paranoid celebrating its 40th anniversary this year, the Classic Albums/Black Sabbath episode is particularly timely. Music buffs will relish at the 97-minute DVD that touches upon everything from Black Sabbath’s influences, the songwriting process behind tracks like “War Pigs and “Iron Man,” the band’s introduction into America, and even hands-on explanations of the riff work from Tony Iommi and Geezer Butler. In stark contrast to the band’s self-titled debut album (recorded over two days and mixed in one), Paranoid was allowed an opportunity to be crafted in more accommodating studio environment. Those sessions bore a variety of intriguing stories, specifically one that details how “Paranoid” was written off-the-cuff after executives requested a “short song.”

2112 was the album that saw Rush break through to major chart success, going to No.1 in their native Canada and Top 75 in the USA where it would eventually be certified triple platinum. Moving Pictures opened them to a mass audience for the first time and remains the biggest selling album of their career. It also went to No.1 in Canada and went quadruple platinum there while hitting No.3 in both the UK and USA. Rush members Geddy Lee, Alex Lifeson and Neil Peart talk us through the making of the albums, together with original producer Terry Brown via interviews, demonstrations, archive videos and use of the original multi-track tapes.

Jimi is recalled here with archival footage, and current interviews with Noel Redding, Mitch Mitchell, and engineer Eddie Kramer, explain the creative processes that went into the 1968 album. Jimi's manager, Chas Chandler, contributes some details, in what was to be his final interview.

Stevie's 1976 double album is looked at here. Stevie had already released the smash album, Innervisions, but as Berry Gordy explains, he took the experimentation to a new level. Quincy Jones and Herbie Hancock are in the studio with Stevie, along with some other top musicians who contributed, as we examine the creation and recording process, of what many consider Stevie Wonder's finest hour.

Interviews with Roger Daltrey and Pete Townshend, along with the late John Entwhistle, who reminisce about the failed attempt to present a rock musical stage show called Lifehouse, tell us how the project evolved into the 1971 classic, Who's Next. Some archival footage is presented, and we are shown by Pete how he developed the synthesized keyboard riffs that gave sonic charges to the album.

The 1972 early metal classic is examined here. After a brief recount of Deep Purple's history prior, all five members of the group from that time recount the making of the album, and Jon Lord, Richie Blackmore, and Roger Glover isolate some of their parts, and play along live. Engineer Martin Birch also lends a hand, describing how the instrumental sounds were produced.

Robbie Robertson, Levon Helm, Rick Danko, and Garth Hudson discuss the making of their classic 1969 release. Each member explains how they achieved their distinct sound, with all of them often switching instruments. We hear from Eric Clapton and George Harrison on the influence the record had. Also included is a tribute to suicide victim Richard Manuel.

Iron Maiden has been both criticized and praised for their unforgiving presentation of hard rock. This album took them to worldwide stardom, and awoke accusations of backward masking, subliminal messages, and Satanism. Producer Martin Birch dissects the master tapes with the five band members, who discuss the writing and recording of each song, while looking for the 'hidden' elements.

Def Leppard labored for more than a year to record this, their follow-up to 'Pyromania'. Producer Mutt Lange and the group describe track by track what went into the writing, rehearsing, and recording. Layers are peeled away at the mixing board as we see and hear how their vocal sound, guitar effects, and drums are engineered. Also, they play acoustic versions of two of their biggest hits from the record. As a bonus, an early rendition of 'Love Bites', which thankfully was given a complete overhaul, is presented.

The musicianship that went into one of rock's premier achievements is examined. Surviving members Brian May and Roger Taylor talk about Freddie Mercury's contributions, and producer Roy Thomas Baker shows us some isolated channels from the master tapes. Also commentary from Joe Perry and Ian Hunter is included.

The band's Grammy-winning 1977 album is given the Classic Albums treatment. We hear from all the band members, and technicians who worked on the project. Each track is examined and the master tapes are analysed. Included is some archival performance footage, along with some home movies.

In 1991 Nirvana’s Nevermind, with the songs of Kurt Cobain, changed the music business without compromise, record company hype or media overkill. The album replaced Michael Jackson at the top of the American charts and so began a rapid rise to international superstardom for the band. This is the story of how Nirvana came to record Nevermind and the effect the record had on the music world and on the band themselves. It offers an insight into the songwriting genius of Kurt Cobain and reveals why Nevermind remains a milestone in rock history.

In 1977, Marvin Lee Aday, aka Meat Loaf, shocked the music world by releasing this 30 million-selling blockbuster. Previously little-known as an actor and singer , he hooked up with writer Jim Steinman, producer Todd Rundgren, and vocalists Ellen Foley and Carla Devito, to create one of the top five sellers of all time. Kasim Sultan and Max Weinberg, who also played on the album are heard from, and Todd isolates some of the masters to show how the sounds were created.

Engineers Chris Thomas and Alan Parsons peel layers off the master tapes from this 1973 masterpiece. The songs are dissected methodically, and Roger Waters, David Gilmour, Nick Mason, and Rick Wright are on hand, (though separately), to demonstrate how simplistic some of the writing was.

Behind-the-scenes look at the creation of Jay-Z's 1996 debut album Reasonable Doubt.

Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s. Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record. Screamadelica both defines a generation and transcends its time, and is a true Classic Album.

The true story of how Amy Winehouse’s best known and most celebrated body of work came into being. Featuring previously unseen footage of Amy, new interviews with producers Mark Ronson and Salaam Remi, and the musicians who worked with Amy on the album, offering fresh insights into Amy’s remarkable gifts as a singer, songwriter, musician and performer.

This premiere episode spotlights Paul's 1986 Grammy-winning 'comeback' album. Introduced by Ringo Starr, each song is examined from the studio perspective. Paul considers the title track to be "The best I ever did". He describes how he came up with the musical and lyrical ideas, and we hear comments from the engineers and from prominent critics, and some of the South African musicians who contributed.

Co-produced by David Bowie and Mick Ronson, this 1972 landmark album took Lou Reed from cult idol to glam superstar status. Here Reed examines each track, discussing with engineer Ken Scott the creation process. Bassist Herbie Flowers shows us how the riff for 'Walk On The Wild Side', was recorded, and we see some archives of Lou's performances.

Producer Chris Blackwell is the main focus of this episode, as he recounts bringing in some top American session men to the studio, in an attempt to break Bob Marley to the US audiences. Wailer Peter Tosh, and instrumentalists Wayne Perkins and Rabbit Bundrick are interviewed, and we see some rare clips of Bob himself.

So stands as one of the greatest records of the 1980s, helping define its time to become a true classic album. The film features interviews with Gabriel himself, co-producer Daniel Lanois, bass players Tony Levin and Larry Klein, performer Laurie Anderson, drummer Manu Katché and Rolling Stone editor David Fricke amongst others.

Series focusing on the albums that have influenced the course of music. This edition looks at Don McLean's album American Pie, crowned by its titular overture and the song Vincent.

This 1970 release was an important step in the rise of the Grateful Dead to legend status. Mickey Hart, Phil Lesh, Bob Weir, along with some interviews with Jerry Garcia, discuss what went into the writing and recording.

Tells the story of the recording of Frank Zappa and The Mothers of Invention's "Over-Nite Sensation" and Zappa's solo album "Apostrophe (')".

Simply Red, the loosely based group of musicians led by Mick Hucknall, take us into the studio to examine the making of this album. While not as commercially successful in the US, it was the biggest selling album in the UK in 1991, and shipped 8.5 million copies worldwide. The musicians who were with the group at that time runite and take us through the tracks. Included is an interview with songwriting legend Lamont Dozier.

The latest addition to Eagle s critically acclaimed and highly successful Classic Albums series is Tom Petty & The Heartbreakers 1979 breakthrough album Damn The Torpedoes . The band s third album defined their musical style and took them into the mainstream hitting No.2 on the US charts and spawning the top 10 single Don t Do Me Like That . The DVD features newly filmed contributions from the band members Tom Petty, Mike Campbell, Benmont Tench, Ron Blair and Stan Lynch along with co-producer Jimmy Iovine and engineer Shelly Yakus as they analyse the tracks from the original multi-track tapes and through new and archive performances. Damn The Torpedoes has stood the test of time as one of the great American rock albums of its era and is a worthy addition to the Classic Albums series.