Screening Room Episode Rating Graph

Bruce Baillie appeared on Screening Room in April 1973. He screened excerpts from his films On Sundays, The Gymnasts, To Parsifal, Tung and Castro Street.

Robert Fulton appeared on Screening Room in April 1973 to screen and discuss Machu Pichu and Reality's Invisible.

Jan Lenica appeared on Screening Room in April, 1973. He screened and discussed excerpts from his films Fantorro, Monsieur Tete, A and Labyrinth.

John and Faith Hubley appeared on Screening Room in April 1973 to discuss and screen their films Eggs, The Hat, Children of the Sun, and Zuckerkandl.

Stan Brakhage first appeared on Screening Room in May, 1973 to screen and discuss the films Eye Myth, Desist Film, Wonder Ring, Window Water Baby Moving, Moth Light, Blue Moses, Machine of Eden and The Wold Shadow.

Derek Lamb appeared on Screening Room in June 1973 with over a dozen films and film clips that demonstrated a wide range of animation techniques.

Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in June 1973 to screen and discuss excerpts from his films.

Ricky Leacock visited Screening Room on June 15, 1973, with Al Mecklenburg and Jon Rosenfeld. He demonstrates super-8 sync technology and screens excerpts from his films.

In this episode of Screening Room, Lawder demonstrates the intricacies of his home-made optical printer and shows examples of what can be achieved with rephotographing film.

Caroline Leaf’s animated work springs from her expert storytelling and pioneering animation techniques. One significant contribution to filmmaking is her technique of manipulating sand on a light-box, which she began as a student at Harvard. She later worked as an animator and director at the National Film Board of Canada. Her film The Street garnered an Academy Award nomination in 1976. On this episode, she screens the remarkable The Owl Who Married a Goose: An Eskimo Legend and parts of The Street and The Metamorphosis of Mr. Samsa which were works-in-progress at the time. Visit her personal website at www.carolineleaf.com.

Richard P. Rogers (1944-2001) was a renowned producer and director of nonfiction films, and a gifted teacher and mentor who taught filmmaking and photography for many years at S.U.N.Y., Purchase, and at Harvard University, where he was director of the Film Study Center. His films range from political to experimental and self-reflective, and include the independent documentaries Living at Risk and Pictures from a Revolution, about Nicaragua; an award-winning portrait made for PBS of the poet William Carlos Williams; and a dramatic adaptation of Laurel Thatcher Ulrich's book A Midwife's Tale.

Independent animator and painter Suzan Pitt, whose surreal and psychological films have gained her worldwide acclaim, continually pushes the boundaries of the animated form, sometimes working with live actors or using animation in opera stagings. Her film Asparagus won the top prize at the Oberhausen Short Film Festival and showed in theatres with David Lynch's Eraserhead for two years. She has had major exhibitions at the Whitney Museum of Art, the Holly Solomon Gallery in New York, and the Stedlijk Museum in Amsterdam. She currently teaches at the California Institute of the Arts.

In this episode from 1975, ethnomusicologist Alan Lomax is the guest and viewers are treated to a partitioned screening of his path-breaking 40 minute film Dance and Human History: Movement Style and Culture #1, accompanied by short interludes of Gardner/Lomax discussion before and after each segment. It is a kind of ‘lecture-demonstration’ version of the film. Skillful editing keeps viewers attention away from the fact of Gardner’s smoking most of the time.

In September 1975, Lamb returned to the program to screen and discuss the films The Last Cartoon Man and The Psychic Parrot.

Breer chats with Gardner about his approach to filmmakin'. He screens RECREATION, A MAN AND HIS DOG OUT FOR AIR, 69, GULLS AND BUOYS, FUJI and RUBBER CEMENT.

Independent animator George Griffin has dedicated himself to the pursuit of animation as an art form. Originally from Tennessee, he became a pivotal figure of New York's experimental film scene in the 1970s with his self-reflexive, irreverent and personal films that challenge traditional notions and methods of animation. He has taught at institutions including the Parsons School of Design, Pratt Institute, and Harvard University, and his films have screened in museums and festivlas around the world. Griffin currently lives and works in New York. More information and his collected films, Griffiti, are available at www.geogrif.com.

Relentless exploration of the nature of performance, the construction of meaning, and the relations of the sexes has guided Yvonne Rainer's long career, first in avant–garde choreography and dance and then in filmmaking. Her honors include Guggenheim and MacArthur Fellowships along with numerous exhibitions of her work, including recent retrospectives at the Museum of Modern Art in San Francisco and at the Film Society of Lincoln Center in New York. Her other films include Lives of Performers (1972), Film About a Woman Who... (1974), The Man Who Envied Women (1985), Privilege (1991), and Murder and Murder (1996).

Canadian Michael Snow has worked in painting, sculpture, and music as well as film, where he has proved one of the most renowned and influential of all experimental filmmakers. He played a major role in the "structural" film movement with such works as Wavelength (1967), Back and Forth (1969), and La Région Centrale (1971), exploring the world through deliberate and explicit decisions about formal approaches. Snow has been honored with solo exhibitions or film retrospectives at the Venice Biennale, New York's Museum of Modern Art, the Paris Centre Pompidou and Cinémathèque Française, and elsewhere.

He returned to Screening Room in January 1979 to screen and discuss: • Organism (full film, 18:59) • The Nuer (excerpt, 6:31) • sound editing tool demo (footage, 7:09) • image generator demo (footage, 2:57) • oscilloscope imagery (footage, 3:22)

Jean Rouch appeared on Screening Room in July 1980 and screened Les Maitres Fous as well as several film excerpts including Rhythm of Work and Death of a Priest. Over a period of five decades Jean Rouch made many films about the Songhay and Dogon of West Africa. He also made, with Edgar Morin, the classic documentary, Chronicle of a Summer about the lives of Parisians. Rouch Frequently traveled with his films, showing and talking about them to a wide audience.

Brakhage returned to the program in the fall of 1980, where he showed Window, two excerpts from Short Films: 1975, Roman Numeral Series I and Creation.

Here is Jonas Mekas interview with Robert Gardner in October of 81. Fantastic insights into Mekas' work and other experimental filmmakers.